ARTICLE 8 - COPYRIGHT

ARTICLE 8 - COPYRIGHT
 
801 The Producer acknowledges that the Animation Writer is the first owner of copyright in the Script Material.
 
802 Upon payment in full to the Animation Writer of the Script Fee, the Producer shall acquire in perpetuity from the Animation Writer the worldwide right, title and interest in the copyright in the Script Material and all Merchandising Rights in connection therewith and upon request of the Producer, the Animation Writer shall execute a written assignment of such rights, titles and interests of the Animation Writer to the Producer including the right to produce, reproduce, publish and perform in public the Script Material or any substantial part thereof in any material form whatsoever.
  1. This right includes but is not limited to the sole right to make, reproduce, adapt, edit and publicly present in any language the Script Material as an Animation Production by means, now or hereafter known, of which the Script Material may be reproduced and performed.

  2. This right includes, but is not limited to, the right to copy, sell, distribute, make available, rent out, communicate to the public by telecommunication (including the Internet), and to incorporate the Script Material into any other derivative works for sale and distribution.
803 Nothing in this Section limits the Animation Writer and the Producer from negotiating alternative division of rights with respect to copyright in the Script Material to that described in 802 above.
 
804 The Producer has the right to add to, delete from, change, modify and amend the Script Materials, and to use same in connection with any and all goods, services, products and institutions. Furthermore, the Producer owns absolutely the Production and all copyright and other rights therein, thereto free from any claim by the Animation Writer, but subject always to the payment to the Animation Writer of the Script Fee.
 
805 For greater clarity, the Animation Writer hereby assigns and shall assign the exclusive perpetual worldwide Merchandising Rights to the Producer unless otherwise agreed between the Animation Writer and Producer.
 
806 Upon payment of the contracted Script Fee and in the absence of any written agreement to the contrary, an Animation Writer shall not have any claim of any interest in any copyright or other right, now or hereafter known, in any Animation Production based on Script Material contracted under this Section or any claim of moral rights against the Producer or anyone claiming under or through the Producer.
 
807 Notwithstanding the foregoing, nothing in this Section or any individual contract to which this Section applies, including the assignment of copyright in the Script Material, shall diminish any otherwise existing right of the Animation Writer to collect any of the "author's share" of the Secondary Use Payments (as defined in this Section) in connection with any Animation Production based on the Script Material and the Animation Writer shall retain all necessary rights including a right in and to copyright in the Script Material for such purpose.
 
808 The Animation Writer retains the right to collect any prize or monies awarded for the screenplay of an Animation Production.
 
809 Nothing in this Section or any individual contract to which this Section applies shall diminish any otherwise existing rights of the Producer to collect any of the "Producer's share" of Secondary Use Payments in connection with any Animation Production based on Script Material.
 
810 Subject to any successful claim for a share of retransmission royalties by the Guild or the Canadian Screenwriters Collection Society or change to existing legislation, all net amounts collected and distributed by Collective Societies in respect of the retransmission in North America of Animation Productions based on the Script Material are deemed receivable by the Producer.

Nothing in this Section shall preclude the Guild or the Associations from commencing or participating in proceedings before any court or tribunal and/or lobbying for legislative changes regarding retransmission payments in North America or Secondary Use payments.

 
811 The Producer has the duty to remind the broadcasters that the obligations contracted by them with the Producer will not release broadcasters from the obligations it has contracted or will have to contract with any Collective Society.

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